Thursday, June 22, 2017

Hotting up at cool Fjord Classics

As if taking over the artistic directorship of Australian Festival of Chamber Music weren't enough, the inimitable Kathryn Stott has joined forces with Norwegian violist Lars Anders Tomter (both, left) to start a new chamber music festival a little bit further north: Fjord Classics. They have assembled a seriously impressive line-up of artists, including Leif Ove Andsnes, Ruby Hughes, the Skampa Quartet, Vikingur Ólaffson, Christian Poltera and many more, ready to awaken the town of Sandefjord to the sounds of music from Mozart to Messiaen, Rebecca Clarke to Janáček, Alma Mahler to Fauré. The festival runs from 27 June to 2 July. I asked the energetic British pianist what they're doing, and why, and how, because it has all happened rather quickly...


Kathryn Stott
JD: Kathy, what inspired you and Lars to start Fjord Classics?

KS: Originally Lars had invited me to work on a different project with him, but when that took an abrupt turn, we started to consider other options and were very determined to find a way to get our collaboration up and running. Where to begin when starting a new festival is both daunting and exciting in equal measure, but we were more than thrilled when Vestfoldfestspillene offered us the opportunity set up Fjord Classics under their larger umbrella. 


JD: You’ve pulled it together incredibly fast - what’s that been like?

KS: If you’d asked me this question just before Christmas, I’d say we were out of breath for a few months. Thats probably an understatement! Firstly we put a lot of thought into choosing the right venues, in particular the main festival town. When we looked around Sandefjord we knew that was the one. Lars had a number of musicians all on hold from his previous venture and I have to say their loyalty in following us through to Fjord Classics speaks volumes. From there we added more musicians as our programming took shape but obviously the pace was very fast and I look forward to next time when we can focus solely on artistic thoughts and not the logistics of setting up a new festival. Our theme, 'The Dance of Life’ by Edvard Munch, gave us amazing inspiration so let's say that was a major springboard for musical ideas both on the track and some off piste!


Lars Anders Tomter
JD: How is it different from the other festivals you’ve been (and are) involved with?

KS: As you know, since 1995 I’ve been an Artistic Director on many projects but they have all been one-offs or with no real thought to follow through. That changed when I was appointed AD of the Australian Festival of Chamber Music so I was already extremely excited to have that opportunity to be creative with a vision towards the future. With Fjord Classics, Lars and I share the role. Between us we have an abundance of ideas but I think more than anything else, we compliment each other in having different skills and approaches. I see that as so positive and an aspect of our working relationship which is to be treasured.


JD: What do you think is most attractive about it for the audience?

KS: Huge variety! This year we really went for the max in all respects and from this we will see how to continue in the future. However, our primary thoughts have always been about quality and so this is never compromised. We have gathered the best musicians and put them with the greatest of music, so what is there not to like? I hope our audience is excited by what we are offering and will hold onto memorable experiences long into the future. This is just the beginning.


JD: What are you most looking forward to in it?

KS: In a way its not so much the performing aspect myself, but seeing how the programmes come together in reality and most of all, the joy of bringing musicians together from around the world and seeing what they create. Apart from anything else, I love going to concerts, so it's a musical feast whichever way you look at it.


JD: How’s your Norwegian?

KS: What was the question? Pass…...

More details and booking at https://www.fjordclassics.com/welcome